Soundtracks can be all electronic, or use pre recorded music, or, or, or anything. The days of composing film soundtracks with some old composer guy and a full blown orchestra are no more. Now film soundtracks can mean alot of things these days. Or sometimes you might just need that one sweet sample to load into Cubase's Sample Track to make your project, so check out Black Octopuss Sound ( ) or Loopmasters ( ). Plugin Boutique ( ) is a good place to look for plugins. throat-singing Tibetan monks.", chances are you will have to look beyond Cubase.īut take some time to browse what's out there. Same with a film scoring gig - if the director tells you, "I want an epic sounding didgeridoo with a Russian bassoon layered with a mayuri, too. But if you are trying repeatedly to capture a sound you have in your head, but you can't reproduce it using Cubase alone, then it's time to start browsing Pluginsland to find what you think will work, whether it be an instrument or an effect (or both). If you feel you got a sound that knocks your socks off with Cubase alone, then it's all good. And this goes for instrument plugin AND for effect plugins. It is really up to you, the artist, and the needs of the gig, that determine if you need more external plugins. I agree with everyone here, and I have a few comments to add. It should take you about a year of fiddling around every evening with Cubase to get through everything that’s in the box. I have spent thousands on other stuff (kontakt, komplete, u-he everything, amp sims for guitar, delays and reverbs) but none of that was “had to” (because there was nothing in the box to get somewhere close) but rather “I want to”. Whatever genre you want to work in, the best “everything in one box” solutions are Cubase and StudioOne. If you want to make credible film scores or orchestral pieces, you’re going to need to spend $2k to $10K on orchestral libraries. I do think that you might really WANT some different compressor or other, and you might really WANT more instruments. I do not see any reason for third party EQ, compressors, limiters, etc, until you really have learned the ins and outs of everything in the box and you want more “sonic colors” in your box of sonic crayons. The first thing I would buy that isn’t included (because I like virtual analog synths) would be a virtual analog synth or two, something like Diva, or Serum or Pigments. Cubase 11 Artist or Pro has everything you need. An extensive sound library, a vast array of audio creation tools and ultra-expressive sound modules combine with a next-generation interface to create a powerfully inspirational instrument that forms the heart of modern sound creation or production environments.Agree. New instruments and sound sources, an added granular synthesis engine, new effects, a slicing mode and much more complement the myriad capabilities that have made HALion an indispensable tool for pro musicians, producers and sound designers worldwide. The latest version of Steinberg’s HALion VST sampler adds new features that extend the boundaries of virtual sampling and sound design software. Steinberg’s HALion VST sampler is a powerfully inspirational virtual sampling and sound design instrument that forms the heart of modern sound creation and production environments.
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